134 The Ypres Times. Pitiablethat was it Soon after that Hewitt fell asleep, snoring calmly. I envied him vaguely. Wondered how he could sleep, and soon after that I fell into a slumber too. It must have been about three o'clock when I woke up. Through the empty window socket I could see the moon riding calmly in the night, but fierce wisps of cloud were drifting across her face and a bit of a wind was playing a woeful tune in the holes about the roof and walls. I shifted my position, found I was cold and stiff and got up to stamp my feet and flap my arms about. I noticed that Hewitt's blankets were empty, huddled on the floor, thrown aside. Thinking my companion had gone out for a stroll, being ünable to sleep, I was about to cross to the doorway that glimmered, an oblong square of silver light in the dark wall, when I heard a click that brought me to a standstill. It was exactly the noise that an ammunition drum makes as one snaps it home on a Lewis gun. I looked round quickly and there, in a patch of brilliant moonlight that lay spilled upon the floor beneath the dishevelled roof, was Hewitt. I could scarcely believe my eyes, for the man had set up the heavy theodolite tripod in front of a crack in the .wall and was crouching, tense, silent, staring out into the shattered country-side. HewittI saidthen louder, HewittMan, what on earth Suddenly he began to speak, still fixedly staring through the gaping wall. Come on, you swine said Hewitt. Gently he spoke, under his breath, grimly yet almost with an affectionate tone. And then he began to say it over and over again, Come on, you swine Come on, you swine Come louder and louder until his voice rose to a shriek, a shrill, eager cry. Then I saw that his right hand was closed beneath the head of the tripod with the first finger cocked forward, curled about an imaginary trigger. What in hell are you playing at, you fool My voice barked harshly across the barn, but the maniac took no noticehe crouched there, tense as ever. And then in a moment he had leaped to his feet. No more rounds he cried. Then, laughing hysterically, he gripped the tripod, closed the legs and swung the whole thing on to his shoulder. He bent backwards, staggered under the weight of the gun that wasn't there tottered, was about to fall. I rush forward now. I must stop the fool before he does himself some injury. Ah now he sees me. Come on he cries, come on come on come on He swings the tripod round his head, pouring with perspiration, and is about to deliver a blow at me, when he falls, collapses into a broken heap in the moonlight with the tripod clattering about him. v* I was shaken up, terrified, but I got him back to his blankets, tried to bring him round, gave him brandy, rubbed his forehead with it. I couldn't stir him. I would have thought he was dead but that his breathing was sweet and gentle as that of a tired child. I crouched there beside him all the rest of the night and about seven o'clock this .morning he stirred, woke up, and surveyed me out of one drowsy eye. Hello he said, what's up You look as though you'd seen a ghost Quick as thought I decided to see what he remembered. So I have," I said, the ghost of a demented Lewis gunner." His expression changed to a frank grin.

HISTORISCHE KRANTEN

The Ypres Times (1921-1936) | 1922 | | pagina 20