170 The Ypres Times. Why are places far away so wonderful Philipp smOed at her he felt he had not been mistaken. Why, mademoiselle, that is the beauty of the unknown. That is life every thing is like that. Those towers, do I not know, do you not know, that they look far more beautiful from here, than if we were really there. If I were now in Devonshire, I would sigh to be here in Belgium that is because I have a happy mind. I forget every thing that's bad, and only remember what is pleasant. Perhaps," he added, I am talking rather badly. My mind thinks so quickly sometimes, you know, that I cannot say all I want to say." Oh do go on, Monsieur Their eyes met. Oh What was I saying Tell me about your work," said Cecile. I love, I would love to to do beautiful things. But my uncle is strict. Oh, so severe I am grown up, but would you believe that he would be very, very angry if he knew I was here. I think," she put her head on one side, he wants me to become a nun." Great heavens What a terrible crime if he succeeded, mademoiselle." Do you think so My uncle wouldn't. He doesn't approve of beautiful things, or music, or books, except very old one$. Nohe would never become an artist." My dear young lady, you pardon me, I hope. I am young, too, and I trust my advice is not necessary, and that your uncle, who may be a very estimable person, has not forced his ideas on you. By all means worship the orthodox. But do not forget that one lives to worship other things as well. The beautiful things, the pleasant things, the glorious things of life. Some people can see nothing but misery. Poor, poor souls Some can see nothing beyond the four walls of their cottage nothing in a sunset such as this, but clouds coloured by a revolving incandescent mass. That's the sun. Life is what we make it, as someone far cleverer than I discovered, thousands of years ago. Supposing that I told you that over there, behind that inverted Bay of Naples in the sky, is a land where all things come true, would you believe it Yes." You know there isn't, really She nodded. Mademoiselle, I pronounce you an artist She had turned to look towards the setting sun. Her eyes ever so slightly puckered, and her head half-turned. Philipp was staring at her, his thin lips apart. She seemed even more charming than when he had first seen her. The sun lit up her hair, outlined her graceful neck, the curve of her shoulders. Her dress, a plain cheap one, lay in folds over her ankles, for she was sitting down with her two arms outstretched. I must go," she said quietly, rising to her feet. Oh, not yet, please. May I come with you No, but thank you so much. It is not oftenit is never that I have anyone to talk with me like this. Goodnight." Goodnight, mademoiselle." pr That night was a stormy one, both within and without the little cottage. An early- summer gale had been heralded by the glorious sunsetand the wind, driven straight from the sea, across the flat country, whistled and eddied about the cottage. It banged the shutters, rattled the windows, and altogether made rest impossible. But Philipp could not have slept in any case. He was suffering the penalties of an artistic temperamentsupreme happiness and gloomy despair in rapid alternation. His workwhat would become of it And then came what Philipp ingenuously thought was a great inspiration. He would paint her he would ask her to be his model. She would become famous, he would become

HISTORISCHE KRANTEN

The Ypres Times (1921-1936) | 1923 | | pagina 24