THE YPRES TIMES 49 The next day the sun shone with midsummer splendour. Looking north from Hill 60 we were able to see most of the ground over which the battle had ebbed and flowed. It was as though a great plague had swept the countryside of Nature's green and left a mantle of sordid mud. The gold of the sun and the blue of the sky could not wipe out the great agony. Gaunt and grey the low hills swept out before us. Below was the shattered remains of Square and Armagh Woods. Lost and recaptured Observatory Ridge stood in front, its coppices full of memories of hidden machine guns. Behind peeped out the higher ground of Hills 61 and 62, to which the remains of Sanctuary Wood grimly clung. On the right arises Mount Sorrel where blood-guilty earth and riven tree trunks defile the blue sky. Behind, in striking- contrast, the green fields reach out toward the Immortal City, encompassing this land of death. Graves and graveyards, with their rough wooden crosses, mark the last resting place of officers and men, some long forgotten, some but yesterday alive. Bunches of poppies might have drawn their colour from the gallant blood which has drenched their roots. Scattered beneath this innocent mantle are hundreds of shell holes and old trenches breathing their odors -and memories of death. Torn and trampled equipment, empty ammunition boxes, the remains of shattered bodies which human care and energy had been unable to bury, all await the hand of Time, the healer, to cover them. On the red road to Ypres lies the bodies of dead horses killed in a gallant effort to bring ammunition to the barking guns. Look into Square Wood; it is a wood no longer, only mud slowly crusting in the sun. But against the clear sky the new Canadian Trenches run marked by sharp outlines of red earth. They show that we again hold the lines of Mount Sorrel. The experience has been a bitter one, the cost in life severe; yet the task is done. Defeat was turned into victory. I SPEAK not of those who keep our plays pure and our films fit for Public Adult Exhibition, but of one whose duty it was to purge the private soldier's corre spondence from anything likely to assist the enemy in his nefarious designs, or to discourage the recruiting at home. Rumour had it that our particular Censor was a schoolmaster in civilian life, well practised in the art of cutting up schoolboys' exercises, or perhaps he was a sub-editor. Whatever he was, he was no novice with the blue pencil. Before long we began to hear of letters reaching home which started, My dear Mother and ended Your loving son, Albert," but with precious little in between except censorious scribbling. Specimens were even sent back to us through the post from home to show what we had to expect. Now we were in Ypresamong the first Territorials to tread that ground which the Regular Army had already made famous. It was essential, in our opinion, to get the great tidings home. The Censor was equally determined that we should not. It was no use trying to get past him with such sentences as I must not say where we are, but right in the centre of the City there is a priceless old partly-worn Cloth Hall."

HISTORISCHE KRANTEN

The Ypres Times (1921-1936) | 1932 | | pagina 19