THE YPRES TIMES 227 than six decades. Whether it was due to old age or to the mental and physical sufferings she had endured during the war, I do not know, but she was frankly pessimistic regarding the future of the hand-made lace industry. "The scale of payment is so low," she told me, "that it can never be more than a side-line, and it is impossible for it to flourish in a modern Belgian town or city. Present conditions are all against it. The attractions of the kinemas and dancing-halls for the younger generation are too great. The age-long patience of the laceworker is the child of monotony and isolation. Before the war, in the long and solitary winter months, when work in the fields was impossible, our peasant women would turn to their lace cushions as much for recreation as for money. Things will never be the same againthe world is travel ling too fast." Only once, when she showed me ten treasured Aus tralian sovereigns, to which a real war romance is attached, did the old lady assume a cheerful de meanour. A Convent Lace School at Bruges. From the pessimist let me turn to the optimistIt was my privi lege last week to visit one of the largest Convent lace schools in Bruges, and the Mother-Superior very courteously permitted me to watch the children at their various tasks. In the summer, she told me, they commence work at 7.30 a.m., and continue until 8 p.m., with only three half-hour intervals for recreation. The hours, of course, are shorter in the winter, when, in order to obtain the powerful light that is essential for such delicate work, oil lamps are ingeniously placed behind bottles filled with water, so that the magnified rays may pass in spotlights on the her patient toil-worn hands cushion. Each girl receives a small a bridal veil create. remuneration weekly for her toil. In one class-room I noticed an elder girl, whose cushion supported a mound of bobbins. The Mother-Superior told me that they totalled over one thousand and that the girl was engaged in making a long scarf. "When shall you have finished it?" I asked. "Well, I commenced last March and it should be completed by next April." I must confess that the thought of that fragile maiden of seventeen summers sitting in front of that cushion for thirteen long months has haunted me ever since. I wonder whether the woman who eventually will wear that delicate scarf over her shoulders would care to hear of the dark-eyed dentellière and her thousand bobbins "What of the future of the industry?" I asked the Mother-Superior.

HISTORISCHE KRANTEN

The Ypres Times (1921-1936) | 1933 | | pagina 5